Happy New Year everyone! We’ve successfully completed a 365-day revolution around the sun. But with every end comes a new beginning. We are provided with 366 blank pages – 2024 is a leap year – upon which to paint new memories. I hope that we will all paint these blank canvases with good and lasting memories, may it be with the people we love or all by ourselves. Thankfully, things are finally looking up after spending nearly three years under a shroud of uncertainty due to the pandemic. I sure hope that the good times keep on rolling.
As has been the tradition in the past few years, I will be kicking off the new year by looking back to the previous year, its hits, and of course, its mishits. It is also an opportunity to take a glimpse of how the coming year is going to shape up. This book wrap-up is a part of a mini-series that will feature the following:
- 2023 Top Eighteen Favorite Books
- 2023 Book Wrap Up
- 2023 Reading Journey by the Numbers
- 2023 Most Memorable Book Quotes (Part I)
- 2023 Most Memorable Book Quotes (Part II)
- 2023 New Favorite Authors
- 2024 Books I Look Forward To List
- 2024 Top 24 Reading List
- 2024 Beat the Backlist Challenge
With 130 books completed, 2023 is my most prolific reading year yet; this eclipses the personal record of 103 books I completed in 2022. It still feels surreal how I was able to complete one of my long-time goals and I was able to do it not only once but twice. Since the pandemic started, I already read 418 books. Further, the 130 books I read in 2023 gave me a deep and rich well of memorable and impressionable quotes, and passages. because of the sheer volume of books I read, I had a challenging time choosing which ones were the most memorable. For the fourth year in a row, I decided to share more than the normal number I chose for this annual post. I have chosen 80 of the most memorable quotes that caught my attention during the year. Without further ado, here’s the second batch of my favorite quotes from my 2023 reads.
“There is nothing original about human behavior. Any idea I have is likely occurring to scores of others in my demographic categories. We live in similar ways, think similar thoughts. What the eluders want to restore, I suspect, is the uniqueness they felt before counting like ours revealed that they were an awful lot like everyone else. But where the eluders have it wrong is that quantifiability doesn’t make human life any less remarkable, or even (this is counterintuitive, I know) less mysterious—any more than identifying the rhyme scheme in a poem devalues the poem itself. The opposite! Mysteries that are destroyed by measurement were never truly mysterious; only our ignorance made them seem so. They are like whodunits after you know who did it. Does anyone reread a murder mystery? Whereas the cosmos has been mysterious to humans since long before we knew anything about astronomy or space—and, now that we do, is only more so.
~ Jennifer Egan, The Candy House
“This tether that’s meant to attach you to something all your life, be it home or parents or safety, has been flailing around unfastened all this time, tearing at your brain’s roots, whipping around so hard it might take out an eye. All at once, that tether goes still on the floor, and you’re at rest. You start out trying to get back there, and pretty soon you’re just trying to get out of bed. It becomes your job, staving off the dopesickness for another day. Then it becomes your God. Nobody ever wanted to join that church.”
~ Barbara Kingsolver, Demon Copperhead
“Where to start is the problem, because nothing begins when it begins and nothing’s over when it’s over, and everything needs a preface: a preface, a postscript, a chart of simultaneous events. History is a construct, she tells her students. Any point of entry is possible and all choices are arbitrary. Still, there are definitive moments, moments we use as references, because they break our sense of continuity, they change the direction of time. We can look at these events and we can say that after them things were never the same again.”
~ Margaret Atwood, The Robber Bride
“You can’t own a human being. You can’t lose what you don’t own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don’t, do you? And neither does he. You’re turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can’t value you more than you value yourself.”
~ Toni Morrison, Song of Solomon
“And waiting means hurrying on ahead, it means regarding time and the present moment not as a boon, but an obstruction; it means making their actual content null and void, by mentally overleaping them. Waiting, we say, is long. We might just as well—or more accurately—say it is short, since it consumes whole spaces of time without our living them or making any use of them as such. We may compare him who lives on expectation to a greedy man, whose digestive apparatus works through quantities of food without converting it into anything of value or nourishment to his system. We might almost go so far as to say that, as undigested food makes man no stronger, so time spent in waiting makes him no older. But in practice, of course, there is hardly such a thing as pure and unadulterated waiting.”
~ Thomas Mann, The Magic Mountain
“I find myself wondering how many other memories are hidden from me in the recesses of my own brain; indeed my own brain will seem to be the last great terra incognita, and I will be filled with wonder at the prospect of some day discovering new worlds there. Imagine the lost continent of Atlantis and all the submerged islands of childhood right there waiting to be found. The inner space we have never adequately explored. The worlds within worlds within worlds. And the marvelous thing is that they are waiting for us. If we fail to discover them, it is only because we haven’t yet built the right vehicle – spaceship or submarine or poem – which will take us to them.”
~ Erica Jong, Fear of Flying
“This violence of landscape, this cruelty of climate, this continual tension in everything, and even these monuments of the past, magnificent yet incomprehensible because not built by us and yet standing round us like lovely mute ghosts; all those rulers who landed by main force from every direction who were at once obeyed, soon detested, and always misunderstood, their only expressions works of art we couldn’t understand and taxes which we understood only too well and which they spent elsewhere: all these things have formed our character, which is thus conditioned by events outside our control as well as by a terrifying insularity of mind.”
~ Giuseppe Tomasi di Lampedusa, The Leopard
“But should a sensation from the distant past-like those musical instruments that record and preserve the sound and style of the various artists who played them-enable our memory to make us hear that name with the particular tone it then had for our ears, even if the name seems not to have changed, we can still feel the distance between the various dreams which its unchanging syllables evoked for us in turn. For a second, rehearing the warbling from some distant springtime, we can extract from it, as from the little tubes of color used in painting, the precise tint-forgotten, mysterious, and fresh-of the days we thought we remembered when, like bad painters, we were in fact spreading our whole past on a single canvas and painting it with the conventional monochrome of voluntary memory.”
~ Marcel Proust, The Guermantes Way
“The cruel memory is not itself contemporary with the restored picture, it is of another age, it is one of the rare witnesses to a monstrous past. But inasmuch as this past continues to exist, save in ourselves, who have been pleased to substitute for it a miraculous age of gold, a paradise in which all of mankind shall be reconciled, those memories, those letters carry us back to reality, and cannot but make us feel, by the sudden pang they give us, what a long way we have been borne from that reality by the baseless hopes engendered daily while we waited for something to happen.”
~ Marcel Proust, Within A Budding Grove
“Grief that is caused once by a person with whom one is in love can be bitter, even when it is interpolated among preoccupations, occupations, pleasures in which that person is not directly involved and from which our attention is diverted only now and again to return to it. But when such a grief has its own birth – as was now happening – at a moment when the happiness of seeing that person fills us with the exclusion of all else, the sharp depression that then affects our spirits, sunny hitherto, sustained and calm, lets loose in us a raging tempest against which we know not whether we are capable of struggling in the end.”
~ Marcel Proust, Within A Budding Grove
“And to think that I might have become a poet like that if I had been allowed to settle somewhere, anywhere in the world, in one of the many shuttered-up houses in the country that no one looks after anymore. I would only have needed one room (the light room in the gable). I would have lived inside it with my old things, my family portraits, my books. And I would have had an armchair, and flowers and dogs, and a stout stick for rocky paths. And nothing else. Only a book bound in yellowing ivory-coloured leather with a flowery pattern for its endpapers: I would have written in it. I would have written a great deal, because I would have had many thoughts and memories of many things.”
~ Rainer Maria Rilke, The Notebooks of Malte Laurids Brigge
“The existence of the terrible in every particle of the air. You breathe it in as part of something transparent; but within you it precipitates, hardens, acquires angular, geometrical forms in among your organs; for all the torments and horrors suffered at places of execution, in torture chambers, in madhouses, in operating theatres, under the arches of bridges in late autumn – all this is possessed of a tenacious permanence, all of it persists and, jealous of all that is, clings to its own frightful reality. People would prefer to be able to forget much of it; sleep files away gently at the grooves in the brain, but dreams drive it away and trace the lines anew. And they wake, panting, and dissolve the gleam of a candle in the dark, and drink in the half-lit solace as if it were sugared water.”
~ Rainer Maria Rilke, The Notebooks of Malte Laurids Brigge
“I also like the constant tension in those pictures, a tension between document and fabrication, between capturing a unique fleeting instant and staging an instant. She wrote somewhere that photographs create their own memories, and supplant the past. In her pictures there isn’t nostalgia for the fleeting moment, captured by chance with a camera. Rather, there’s a confession: this moment captured is not a moment stumbled upon and preserved but a moment stolen, plucked from the continuum of experience in order to be preserved.”
~ Valeria Luiselli, Lost Children Archive
“The diseased, anyway, are more interesting than the healthy. The words of the diseased, even those who can manage only a murmur, carry more weight than those of the healthy. Then, too, all healthy people will in the future know disease. That sense of time, ah, the diseased man’s sense of time, what treasure hidden in a desert cave. Then, too the diseased truly bite, whereas the healthy pretend to bite but really only snap at the air. Then, too, then, too, then, too.”
~ Roberto Bolaño, 2666
“Excuse the metaphors. Sometimes, in my excitement, I wax romantic. But listen. Every work that isn’t a masterpiece is, in a sense, a part of a vast camouflage. You’ve been a soldier, I imagine, and you know what I mean. Every book that isn’t a masterpiece is cannon fodder, a slogging foot soldier, a piece to be sacrificed, since in multiple ways it mimics the design of the masterpiece. When I came to this realization, I gave up writing. Still, my mind didn’t stop working. In fact, it worked better when I wasn’t writing. I asked myself: why does a masterpiece need to be hidden? what strange forces wreath it in secrecy and mystery?”
~ Roberto Bolaño, 2666
“Hatred is a leech, the thing that sticks to a person’s skin, that feeds off them and drains the sap out of one’s spirit. It changes a person and does not leave until it has sucked the last drop of peace from them. It clings to one’s skin, the way a leech does, burrowing deeper and deeper into the epidermis so that to pull the parasite out of the skin is to tear off that part of the flesh and to kill it in its self flagellating.”
~ Chigozie Obioma, The Fishermen
“Don’t tell me that we don’t need madness on the battlefield. God’s truth, the mad fear nothing. The others, white or black, play at being mad, perform madness so that they can calmly throw themselves in front of the bullets of the enemy on the other side. It allows them to run straight at death without being too afraid. You’d have to be mad to obey Captain Armand when he whistles for the attack, knowing there’s almost no chance you’ll come home alive. God’s truth, you’d have to be crazy to drag yourself screaming out of the belly of the earth.”
~ David Diop, At Night All Blood is Black
“These people are talking about beauty. What do they know about its essence. They like certain colors: the whiteness of ivory and the gold of precious ingots. If you ask me about beauty I won’t speak of a pure bronze complexion, tranquil black eyes, a slim figure, and Parisian elegance. Certainly not all these are pretty, but they’re no thing but lines, shapes, and colors subject to investigation by the senses and open to comparison. Beauty itself is a painful convulsion in the heart, an abundance of vitality in the soul, and a made chase undertaken by the spirit until it encounters the heavens.”
~ Naguib Mahfouz, Palace of Desire
“We understand with our minds but live with our hearts. Despite your skeptical stance, you love, work together with other people, and share in the political life of your nation. Whether we are conscious of it or not, behind each of these initiatives there is a principle that is no less powerful than faith. Art is the interpreter of the human world. besides that, some writers have produced works forming part of the international contest of ideas. In their hands art has become one of the weapons of international progress. There is non way that art can be considered a frivolous activity.”
~ Naguib Mahfouz, Sugar Street
“Writing is the closest thing we have to real magic. Writing is creating something out of nothing, is opening doors to other lands. Writing gives you power to shape your own world when the real one hurts too much. To stop writing would kill me. I’d never be able to walk through a bookstore without fingering the spines with longing, wondering at the lengthy editorial process that got these titles on shelves and reminiscing about my own. And I’d spend the rest of life curdling with jealousy every time someone like Emmy Cho gets a book deal, every time I learn that some young up-and-comer is living the life I should be living.”
~ R.F. Kuang, Yellowface
“Those accursed god-killers were only able to kill god on condition that they really possessed monstrous resources of strength and wickedness. And so that is indeed what the Jews possess in the deepest recesses of the Jews-hater’s imagination. We are all Judas. Even eighty generations later we are still Judas. But the truth, my young friend, the real truth, we can behold before our very eyes here in the land of Israel: the modern Jew who has sprung up here, just like his ancient predecessor, is neither strong nor malicious, but hedonistic, with an ostentatious of wisdom, boisterous, confused and consumed by suspicions and fear.”
~ Amos Oz, Judas
“I always feel as if I’m struggling to become someone else. As if I’m trying to find a new place, grab hold of a new life, a new personality. I suppose it’s part of growing up, yet it’s also an attempt to re-invent myself. By becoming a different me, I could free myself of everything. I seriously believed I could escape myself – as long as I made the effort. But I always hit a dead end. No matter where I go, I still end up me. What’s missing never changes. The scenery may change, but I’m still the same old incomplete person. The same missing elements torture me with a hunger that I can never satisfy. I think that lack itself is as close as I’ll come to defining myself.”
~ Haruki Murakami, South of the Border, West of the Sun
“In that very brief period of time I was made abundantly aware of the extent to which various things inside me had degenerated without my even knowing it. I’d always hated working, and I’d never cared much about the kinds of jobs I took or whether I had one or not or anything like that, and none of that had changed at all, it wasn’t that… it was something like guts, the ability to move on to the next thing when I had to, it was something like hope, like anticipation… I can’t explain it very well. But I feel sure that this something I’d unknowingly cast aside was the same thing that Shiori had lost, was what she’d cast aside herself, also without noticing. Maybe if she’d been lucky she could have gone on living anyway, just as she was. But she was too weak, she couldn’t endure a life like that. The flow was so strong that it swallowed her whole.”
~ Banana Yoshimoto, Asleep
“At ordinary times, most human beings are wearisomely ordinary; depressingly banal in appearance and deadly boring in their conversation. However, at certain moments, by some peculiar, almost supernatural, process their normal triviality can be transformed into something so weird and wonderful that no feline scholar of their species can afford to miss any occasion when that transformation seems likely to take place.”
~ Natsume Sōseki, I Am A Cat
“When twilight fell, first upon knickers and then upon surcoats, there came the dawn of Japanese skirted-trousers. These were designed by monsters peeved by the surcoat boom, and the descendants of their inventors include both the warriors of medieval times and all contemporary government officials. The plain, if regrettable, fact is that all the originally naked monsters strove vaingloriously to outdo each other in the novelty and weirdness of their gear. The ultimate grotesquerie has only recently appeared in swallow-tailed jackets. Yet if one ponders the history of these quaint manifestations, one recognizes that there is nothing random in their occurrence.”
~ Sōseki Natsume, I Am A Cat
“Beauty has become a stimulus to garrulity. It has gotten so that on confronting the beautiful one feels duty-bound to say something in a great hurry. It has gotten so we feel we must convert beauty right away. If we don’t convert it, it’s dangerous. Like explosives, beauty has become a difficult thing to own. The power of possessing beauty through silence, this majestic power for which one would lay down his life, has been lost.“
~ Yukio Mishima, Forbidden Colors
“In my opinion, there is nothing more unbecoming in the human type than its indecent habit of sleeping with the mouth open. Never in a lifetime would a cat be caught in such degenerate conduct. The mouth and the nose have their separate functions: the former is provided for the making of sounds and the latter for respiratory purposes. However, in northern lands the human creature has grown slothful and opens its mouth as seldom and as little as possible. One obvious result of this muscular parsimony is the northern style of tight-lipped speech in which the words would seem to be enunciated through the nostrils. That is bad, but it’s even worse when the nose is kept closed and the mouth assumes the respiratory function. The result is not only unsightly, but could indeed, when rat shit drops from the rafters, involve real risk to health.”
~ Natsume Sōseki, I Am a Cat
“I am convinced that human life is filled with many pure, happy, serene examples of insincerity, truly splendid of their kind – of people deceiving one another without (strangely enough) any wounds being inflicted, of people who seem unaware that they are deceiving one another. But I have no special interest in instances of mutual deception. I myself spent the whole day long deceiving human beings with my clowning. I have not been able to work much up much concern over the morality prescribed in textbooks of ethics under the name as “righteousness.” I find it difficult to understand the kind of human being who lives, or who is sure he can live, purely, happily, serenely while engaged in deceit. Human beings never did teach me that abstruse secret. If I had only known that one thing I should never have had to dread human beings so, nor should I have opposed myself to human life, nor tasted such torments of hell every night.”
~ Osamu Dazai, No Longer Human
“Society. I felt as though even I were beginning at last to acquire some vague notion of what it meant. It is a struggle between one individual to another, a then-and-there struggle, in which the immediate triumph is everything. ‘Human beings never submit to human beings.’ Even slaves practice their mean retaliations. Human beings cannot conceive of any means of survival except of a single then-and-there contest. They speak of duty to one’s country and such like things, but the object of their effort is invariably the individual, and, even once the individual’s needs have been met, again the individual comes in. The incomprehensibility of society is the incomprehensibility of the individual. The ocean is not society; it is individuals.”
~ Osamu Dazai, No Longer Human
“Once you become aware of your impending death, you have to make a compromise in accepting the loss of the life you wish you could have led and the reality of your imminent death. Sure, there will always be regrets and broken dreams, but you have to go easy on yourself. Over the last few days, I’ve come to realise that there is certain beauty in those regrets, they are proof of having lived. Maybe I will regrets some of my decisions when the moment comes, but that’s ok, No matter how you slice it, life is full of regrets anyway.”
~ Genki Kawamura, If Cats Disappeared from the World
“A lot of people buy into the slogan “Live life like there’s no tomorrow.” But I tend to disagree. Once you become aware of your impending death, you have to make a compromise in accepting the loss of the life you wish you could have led and the reality of your imminent death. Sure, there will always be regrets and broken dreams, but you have to go easy on yourself. Over the last few days, I’ve come to realize that there’s a certain beauty in those regrets. They’re proof of having lived.”
~ Genki Kawamura, If Cats Disappeared from the World
“Reading a book is a lot like climbing a mountain. Reading isn’t only for pleasure or entertainment. Sometimes you need to examine the same lines deeply, read the same sentences over again. Sometimes you sit there, head in hands, only progressing at a painstakingly slow pace. And the result of all this hard work and careful study is that suddenly you’re there and your field of vision expands. It’s like finding a great view at the end of a long climbing trail.”
~ Sōsuke Natsukawa, The Cat Who Saved Books
“We live in time – it holds us and molds us – but I never felt I understood it very well. And I’m not referring to theories about how it bends and doubles back, or may exist elsewhere in parallel versions. No, I mean ordinary, everyday time, which clocks and watches assure us passes regularly: tick-tock, click-clock. Is there anything more plausible than a second hand? And yet it takes only the smallest pleasure or pain to teach us time’s malleability. Some emotions speed it up, others slow it down; occasionally, it seems to go missing – until the eventual point when it really does go missing, never to return.”
~ Julian Barnes, The Sense of an Ending
“Someone once said that his favourite times in history were when things were collapsing, because that meant something new was being born. Does this make any sense if we apply it to our individual lives? To die when something new is being born – even if that something new is our very own self? Because just as all political and historical change sooner or later disappointments, so does adulthood. So does life. Sometimes I think the purpose of life is to reconcile us to its eventual loss by wearing us down, by proving, however long it takes, that life isn’t all it’s cracked up to be.”
~ Julian Barnes, The Sense of an Ending
“Memory is the seamstress, and a capricious one at that. Memory runs her needle in and out, up and down, hither and thither. We know not what comes next, or what follows after. Thus, the most ordinary movement in the world, such as sitting down at a table and pulling the inkstand towards one, may agitate a thousand odd, disconnected fragments, now bright, now dim, hanging and bobbing and dipping and flaunting, like the underlinen of a family of fourteen on a line in a gale of wind.”
~ Virginia Woolf, Orlando
“It is known that there are an infinite number of worlds, simply because there is an infinite amount of space for them to be in. However, not every one of them is inhabited. Therefore, there must be a finite number of inhabited worlds. Any finite number divided by infinity is as near to nothing as makes no odds, so the average population of all the planets in the Universe can be said to be zero. From this it follows that the population of the whole Universe is also zero, and that any people you may meet from time to time are merely the products of a deranged imagination.”
~ Douglas Adams, The Restaurant at the End of the Universe
“The poetry of motion is a phrase much in use, and to enjoy the epic form of that gratification it is necessary to stand on a hill at a small hour of the night, and, having first expanded with a sense of difference from the mass of civilized mankind, who are dreamwrapt and disregardful of all such proceedings at this time, long and quietly watch your stately progress through the stars. After such a nocturnal reconnoitre it is hard to get back to earth, and to believe that the consciousness of such a majestic speeding is derived from a tiny human frame.”
~ Thomas Hardy, Far From the Madding Crowd
“There are special nightmares for the daytime sleeper: little nervous dreams tossed into some brief restless moments of unconsciousness and breaking through the surface of the mind to become confused at once with the horror of some waking vision. Such are these awakenings, like an awakening in the grave, when one opens one’s eyes, stretched out rigid with clenched hands, waiting for some misery to declare itself; but for a long time it lies to suffocation upon the chest and utters no word.”
~ Iris Murdoch, Under the Net
“Her antiquity in preceding and surviving succeeding tellurian generations: her nocturnal predominance: her satellitic dependence: her luminary reflection: her constancy under all her phases, rising and setting by her appointed times, waxing and waning: the forced invariability of her aspect: her indeterminate response to inaffirmative interrogation: her potency over effluent and refluent waters: her power to enamour, to mortify, to invest with beauty, to render insane, to incite to and aid delinquency: the tranquil inscrutability of her visage: the terribility of her isolated dominant resplendent propinquity: her omens of tempest and of calm: the stimulation of her light, her motion and her presence: the admonition of her craters, her arid seas, her silence: her splendour, when visible: her attraction, when invisible.”
~ James Joyce, Ulysses
“There are sins or (let us call them as the world calls them) evil memories which are hidden away by man in the darkest places of the heart but they abide there and wait. He may suffer their memory to grow dim, let them be as though they had not been and all but persuade himself that they were not or at least were otherwise. Yet a chance word will call them forth suddenly and they will rise up to confront him in the most various circumstances, a vision or a dream, or while timbrel and harp soothe his senses or amid the cool silver tranquility of the evening or at the feast, at midnight, when he is now filled with wine. Not to insult over him will the vision come as over one that lies under her wrath, not for vengeance to cut him off from the living but shrouded in the piteous vesture of the past, silent, remote, reproachful.”
~ James Joyce, Ulysses
The Pine-Scented Chronicles 
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