In the ambit of Latin American literature, Roberto Bolaño is a titan. The Chilean writer has produced some of the world’s most renowned works originally written in Spanish. Among his works, two stand out: The Savage Detectives and 2666. Both books are among the must-reads in Latin American literature if not world literature in general. While the former is widely considered by many a literary pundit as his magnum opus, it was the latter that made him a household name, at least amongst the anglophone readers. Both books are also a minefield for quotable lines and passages. In this quotable quote update, I am sharing lines that captured my interest in 2666, the second novel by the highly esteemed Chilean writer that I read.

Do check out my complete review of the second volume of Roberto Bolaño’s first translated novel by clicking here.


~ Roberto Bolaño, 2666

“I think he had little interest in kowing where the soul goes when the body dies, although he wrote about that too. He was interested in dignity and he was interested in plants. About happiness he said not a word, I suppose because he considered it something strictly private and perhaps, how shall I say, treacherous or elusive. He had a great sense of humor, although some passages of his books contradict me there. And since he wasn’t a saint or even a brave man, he probably did think about posterity. The bust, the equestrian statue, the folios preserved forever in a library. What he never imagined was that he would be remembered for lending his name to a combination of three flavors of ice cream.”

~ Roberto Bolaño, 2666

Did Jesus Christ suspect that someday his church would spread to the farthest corners of Earth? Did Jesus Christ, he asked, ever have what we, today, call an idea of the world? Did Jesus Christ, who apparently knew everything, know that the world was round and to the east lived the Chinese (this sentence he spat out, as if it cost him great effort to utter it) and to the west the primitive peoples of America? And he answered himself, no, although of course in a way having an idea of the world is easy, everybody has one, generally an idea restricted to one’s village, bound to the land, to the tangible and mediocre things before one’s eyes, and this idea of the world, petty, limited, crusted with the grime of the familiar, tends to persist and acquire authority and eloquence with the passage of time.

~ Roberto Bolaño, 2666

“They talked about what they’d felt as they rained blows on the fallen body. A combination of sleepiness and sexual desire. Desire to fuck the poor bastard? Not at all! more as if they were fucking themseles. As if they were digging into themseles. With long nails and empty hands. Though if your fingernails are long enough your hands are never really empty. But in this dreamlike state, they dug and dug, rending fabric and ripping veins and puncturing vital organs. What were they looking for? The didn’t know. Nor, at that state, did they care.”

~ Roberto Bolaño, 2666

“That is, it was the fear that afflicts most citizens who, one fine (or dark) day, choose to make the practice of writing, and especially the practice of fiction writing, an integral part of their lives. Fear of being no good. Also fear of being overlooked. But above all, fear of being no good. Fear that one’s efforts and striving will come to nothing. Fear of the step that leaves no trace. Fear of the forces of chance and nature that wipe away shallow prints. Fear of dining alone and unnoticed. Fear of going unrecognized. Fear of failure and making a spectacle of oneself. But above all, fear of being no good. Fear of forever dwelling in the hell of bad writers.”

~ Roberto Bolaño, 2666

“My friend (if I may still call him that) believed in humanity, and so he also believed in order, in the order of painting and the order of words, cince words are what we paint with. He believed in redemption. Deep down he may even have believed in progress. Coincidence, on the other hand, is total freedom, our natural destiny. Coincidence obeys no laws and if it does we don’t know what they are. Coincidence, if you’ll permit me the simile, is like the manifestation of god at every moment on our planet. A senseless god making senseless gestures at his senseless creatures. In that hurricane, in that osseous implosion, we find communion. The communion of coincidence and effect and the communition of effect with us. ”

~ Roberto Bolaño, 2666

“Still, American television is full of smiles and more and more perfect-looking teeth. Do these people want us to trust them? No. Do they want us to think they’re good people? No again. The truth is they don’t want anything from us. They just want to show us their teeth, their smiles, and admiration is all they want in return. Admiration. They want us to look at them, that’s all. Their perfect teeth, their perfect bodies, their perfect manners, as if they were constantly breaking away from the sun and they were little pieces of fire, little pieces of blazing hell, here on this planet simply to be worshipped.”

~ Roberto Bolaño, 2666

“Semblance was an occupying force of reality, even the most extreme, borderline reality. It lived in people’s souls and their actions, in willpower and in pain, in the way memories and priorities were ordered. Semblance proliferated in the salons of the industrialists and in the underworld. It set the rules, it rebelled against its own rules (in uprisings that could be bloody, but iddin’t btherefore cease to be semblance), it set new rules.”

~ Roberto Bolaño, 2666

“The diseased, anyway, are more interesting than the healthy. The words of the diseased, even those who can manage only a murmur, carry more weight than those of the healthy. Then, too, all healthy people will in the future know disease. That sense of time, ah, the diseased man’s sense of time, what treasure hidden in a desert cave. Then, too the diseased truly bite, whereas the healthy pretend to bite but really only snap at the air. Then, too, then, too, then, too.””

~ Roberto Bolaño, 2666

“All this light is dead. All this light was emitted thousands and millions of years ago. It’s the past, do you see? When these stars cast their light, we didn’t exist, life on Earth didn’t exist, even Earth didn’t exist. This light was cast a long time ago. It’s the past, we’re surrounded by the past, everything that no longer exists or exists only in memory or guesswork is there now, above us, shining on the mountains and the snow and we can’t do anything to stop it.”

~ Roberto Bolaño, 2666

“I steal into their dreams. I steal into their most shameful thoughts, I’m in every shiver, every spasm of their souls, I steal into their hearts, I scrutinize their most fundamental beliefs, I scan their irrational impulses, their unspeakable emotions, I sleep in their lungs during the summer and their muscles during the winter, and all of this I do without the least effort, without intending to, without asking or seeking it out, without constraints, driven only by love and devotion.”

~ Roberto Bolaño, 2666

“Anyway, these ideas or feelings or ramblings had their satisfactions. They turned the pain of others into memories of one’s own. They turned pain, which is natural, enduring, and eternally triumphant, into personal memory, which is human, brief, and eternally elusive. They turned a brutal story of injustice and abuse, an incoherent howl with no beginning or end, into a neatly structure story in which suicide was always held out as a possibility. They turned flight into freedom, even if freedom meant no more than the perpetuation of flight. They turned chaos into order, even if it was at the cost of what is commonly konwn as sanity.”

~ Roberto Bolaño, 2666

“And yet your shadow isn’t following you anymore. At some point your shadow has quietly slipped away. You pretend you don’t notice, but you have, you’re missing your fucking shadow, though there are plenty of ways to explain it, the angle of the sun, the degree of oblivion induced by the sun beating down on hatless heads, the quantity of alcohol ingested, the movement of something like subterranean tanks of pain, the fear of more contingent things, a disease that beings to become apparent, wounded vanity, the desire just for once in your life to be on time. But the point is your shadow islost and you, momentarily, forget it.”

~ Roberto Bolaño, 2666

“There must be many books, many lovely pines, to shield from hungry eyes the book that really matters, the wretched cave of our misfortune, the magic flower of winter!
Excuse the metaphors. Sometimes, in my excitement, I wax romantic. But listen. Every work that isn’t a masterpiece is, in a sense, a part of a vast camouflage. You’ve been a soldier, I imagine, and you know what I mean. Every book that isn’t a masterpiece is cannon fodder, a slogging foot soldier, a piece to be sacrificed, since in multiple ways it mimics the design of the masterpiece. When I came to this realization, I gave up writing. Still, my mind didn’t stop working. In fact, it worked better when I wasn’t writing. I asked myself: why does a masterpiece need to be hidden? what strange forces wreath it in secrecy and mystery?”

~ Roberto Bolaño, 2666

“The fourth dimension encompasses the three dimensions and consequently puts them in their place, that is, it obliterates the dictatorship of the three dimensions and thereby obliterates the three-dimensional world we know and live in. The fourth dimension is the full richness of the senses and the (capital S) Spirit, it’s the (capital E) Eye, in other words the open Eye that obliterates the eyes, which compared to the Eye are just poor orifices of mud, absorbed in contemplation or the equation birth-training-work-death, whereas the Eye sails up the river of philosophy, the river of existence, the (fast-flowing) river of fate. The fourth dimension was expressible only through music. Bach, Mozart, Beethoven.”

~ Roberto Bolaño, 2666